Thursday 16 December 2010

RADIO DRAMA - Basic Ideas Brainstorm

I got together with my group and we came up with some ideas that we would want to run with for our radio drama. The idea we all agreed on was to do a drama based around a band. Creating a drama about a band is a good idea with lots of opportunities for sound effects and music as well as a good script. It would take the basic soap idea but base it around a band. We wanted to do a basic radio soap but with twists. We then decided to mix things up a bit more. The concept of a band member being possessed came about and we have decided to run with it.

These are the basic ideas we came up with:

Member possessed - change voice.
Band causes fan/fans to become possessed too.
Moral panic coming to life.
Band unaware they are being possessed.
The band is a black metal band - moral panics have been created saying that metal bands have a bad influence on teenagers.

We now need to start looking at a structure for the story.

Thursday 25 November 2010

THE ARCHERS


The Archers is the longest running radio drama with 16000 episodes to it's name. It was created post World War One to get across the message of farming as a good way of life. It has a very big fan base and has various fansites set up in it's honour. It's made in a similar way to television soaps in the way that it has lots of characters and various story lines are running in the drama at the same time. The focus of each episode switches between the characters. It's official website has a fictisous map of the town where it takes place and an extensive time line of all the key story lines in it's history. It sticks to basic convetions of radio drama and doesn't try to go against or disrupt these conventions in any way. There is noticeably hardly any background noise and the dialogue between characters takes centre stage. Some voices are louder than others depending on the situation and location to give the impression of depth and scale. Silence follows dialogue to represent passing of time. I didn't find it very entertaining personally but I can see why it might appeal to others.

Thursday 18 November 2010

THE TWILIGHT ZONE


The Twilight Zone was a science fiction radio drama that had 156 episodes to it's name. Television versions were later made as well as a film in the 1980s. These didn't prove as popular as the radio drama and so in 2007 it was back on the radio. Where most radio dramas relied on sound effects to add more depth, The Twilight Zone however, relies mostly on music to add a sense of eerieness to the drama. The title is also referenced at various points in the drama to suggest that listeners are entering another world through listening to the drama. To start the drama, the theme tune is played, it's now a memorable one and is used and spoofed in other forms of media. And so, the use of a theme tune was a good move. Next comes the narrative vocal intoducing the story, it's a deep voice with an ominous tone, this sets the mood for the rest of the drama. We get an impression of where the characters are through what they talk about and the slang they use. They are talking about directions involving the sea and boats, there is a hum coming from machinery and the characters are saying "captain" and communicating over radio. We can picture them on a boat from these sounds and words. Music intergects between conversation to connote the passing of time. It is also used to build tension, and is sometimes strategically played after questions asked by the characters to build up mystery. Other sound effects used are underwater noises when a character goes diving. What the drama does best is create a tense and unnerving atmosphere through repetition, which is a common technique in horror films. The tension is based around a knocking sound heard from the bottom of the ship. It repeats almost constantly throughout the drama. Tension is built through all the characters discussing it and some getting paniced by it. The drama combines two narratives that run together throughout then combine at the end. So listeners are wondering throughout the drama about two mysterious parts to the story. The Twilight Zone has introduced some new techniques to me and a new narrative style. I didn't find it very entertaining however

A BRIEF HISTORY OF RADIO DRAMA

1946 - Dick Barton Special Agent. Reflective of the time in the way that spys were a big part of the war and there was a lot of paranoia in society

1950s - Radio became main source of information and entertainment

1951 - Increase of over 300 of radio dramas a year

Late 1950s - 1960s - Science Fiction became very popular in radio drama. Because of space race and society's new found fascination with space.

1980s - Stereo was invented and so radio dramas could play around with sound more

2000s - Radio dramas have become less popular due to increase in technology and forms of media with which dramas can be produced. They are still broadcast however.

Thursday 11 November 2010

Hitch Hiker's Guide To The Galaxy


Hitch Hiker's Guide To The Galaxy is another science fiction radio drama, but that is essentially the only similarity it shares with War Of The Worlds. For a start, it has a theme tune, this is a great way to make people remember the drama. Theme tunes work well for TV drama publicity too. A narrative guides the drama along each episode and the listener is reliant on the narrator to let them know where the characters are and what is happening. The writers make fun of this classic element of radio drama by having the narrator tell listeners unimportant pieces of information and also going as far to say what the characters are about to say before they say it. The drama is based around a book entitled "Hitch Hiker's Guide To The Galaxy" and at frequent intervals, the drama cuts to an extract from the book, sometimes the characters refer to the book and sometimes they don't. The narrator and the voice of the book are the same voice, it's a confident voice that connotes that they know what they are talking about. So audiences can tell the difference, the voice from the book itself is slightly distorted where as the narrator is clear and played over the top of the action. Also, whenever the book/narrator speaks, a certain music track plays to add atmosphere. Sound effects are used effectively throughout, they are also used to set the mood of the scenes. In one scene when the characters are changing into animals and the story takes a turn for the pyschedelic, echo is added to the vocals and strange music is played. This gives the impression of disorientation. Classic radio drama elements are used too, such as the pause in dialogue to represent passing of time, and the dialogue taking place between two people at a time, occassionally moving to three in certain scenes. Another element used is the catch up read by the narrator at the beginning of the episode. Hitch Hiker's Guide To The Galaxy is a very entertaining listen, it has an engaging story and the voices and sound effects to match and boost the dialogue.

Thursday 4 November 2010

WAR OF THE WORLDS RADIO DRAMA


War Of The Worlds by H. G. Wells was adapted into a radio drama in the 1930s. It used techniques that were quite revolutionary, and that ended up causing some people to believe that the drama was real life. To start the drama, an introduction was given by Wells then music was played, making it seem like a normal radio broadcast, not a drama. Then they used the phrase "we interupt this programme..." which made it seem like it was real news being broadcast. The pace of the drama steadily got faster and faster as an increasing amount of suppossed news bulletins interupted the music. The frequent cuts was a good use of building tension. Also the juxtaposition of the pleasant music and the increasingly more distressed news reports make the listener more intent on finding out what was going on. Silence was also used well to add an uncertain atmosphere. Clips of reporters suddenly cut out to silence every now and then to make it seem as though something had gone wrong. The only thing that let the atmosphere down was the way that the reporters described every detail of what they were doing, which reminds the listener they are listening to a drama. The vocal description is the only way to get across what is going on in radio drama. War Of The Worlds used sound effects well, but not as often as they could of done. When they did use them, they were perfectly in time with what the reporters were saying. They also created a sense of realness because the sound effects were as loud as the reporter's voice. The drama doesn't even have commercial breaks until fourty minutes in when the drama changes. It broke lots of rules and conventions of radio drama in the first 40 minutes, but after that, it conforms. A narration from a survivor describes events that have happened over a few days, using the voice over helps listeners to grasp the passing of time more. Also, the narrator meets another survivor and the classic scenario in radio dramas of two people talking ensued for a while.

War Of The Worlds was all together very entertaining and the technicality was sophisticated.

Thursday 14 October 2010

THE SCARIFYERS


This radio drama had themes of science fiction and fantasy action adventure. The characters used their voices with lots of emphasis because sound is the basis for radio drama and without the use of visuals it can be hard to convey what is going on. The vocal actors did well to put their characters across. Sound effects were also used a great deal, for example when the characters had entered a cave, echo was put on their voices to give the impression of a large open space. Another good use of a sound effect was foot steps when a giant was approaching two characters. This built up the tension. Also, to add more emphasis to dramatic moments, ochestral music was played. It had a hurried tone to it to cause uneasyness in the listener. To tackle the concept of time passing, when dialogue finished between characters, a small silent pause proceeded before moving onto another period of time, or another groupo of people speaking. I didn't find the drama very engaging despite its good use of sound. This was down to the un-interesting story and its slow pace.

Thursday 23 September 2010

Audience Theory

Hyperdermic Theory --- All the elements of a media product are put into the brain all at once to make people react in a certain way

Two Step Flow Theory --- Someone views media then goes off and tells others and they go with what that someone has said.

Uses And Gratifications Theory --- How we use media for our own personal gain.

Personal Identity --- People expressing themselves through the media products they like.

Survelance --- Using media for info.


Stanley Cohen - Behaviorist and Psychologist

*Moral Panics

1st Stage - occurance and signification --- worthy of media coverage

2nd stage - the wider social implications --- link problem to wider social problem

3rd stage - social control --- "this is what we should do about it"

PSYCHOGRAPHIC//GEOGRAPHIC//DEMOGRAPHIC

Psychographic

*LIFESTYLE*

* Resigned - Hold strong ideas, done with lives, not looking to do anything else.

* Explorer - Looking for the new thing

*Aspirer - Wanting to constantly improve themselves


*VALUES AND BELIEFS*

*Religion - Christian
* Family Values


Geographic
*Where you live
* Where consumers live

Demographic
*Age/Gender/Class/Sex
*The life cycle stage
*The type of house you live in

Thursday 16 September 2010

The Incredible Adventures of Professor Branestawm Review


This radio drama is broadcast on BBC Radio 7 and is someone telling a story rather than different people playing different characters. It's one man's voice telling the story of a character called "Professor Branestawm", it's one episode as part of a series. The narrator does well to describe the situations with enthusiasm and he changes his voice slightly when talking for individual characters to keep the listener interested. The narrator speaks in a friendly and warm tone so the listeners feel comfortable and happy to listen to the drama. The drama is also supposed to have a comedy feel to it and so the choice of narrator is a well made one. The story is both an introduction to the character of Professor Branestawm's physical appearance through the description of him at the beginning and an introduction to his quirks and his character through the story. Both entertaining and easy to listen to, this radio drama feels as though it is aimed at families.